Littlebow – Some May Transition


Littlebow – Some May Transition from The New Honey Shade on Vimeo.

littlebow – Three
Release Date: August 30th 2016 (Rural Colors)
Edition: 100 CDr

The third album release by cult instrumentalists, littlebow, the none-lessobscurely titled Three, also signals the addition of folk/early music harpist/vocalist Brona McVittie (Forestbrook, Rún, Queen Of Corkbots) into the bands’ complex musical fold, joining mainstays Katie English (Isnaj Dui, The Sly and Unseen, The Doomed Birds of Providence) and Keiron Phelan (Smile Down Upon Us, State River Widening, Orla Wren) and their battery of flutes, cellos, guitars and keyboards and maintaining the clarinet and drumming work of auxiliary musicians Jenny Brand (Kluster Ensemble) and Jerome Tcherneyan (Piano Magic).

Three continues and extends littlebow’s Impressionistic fusion of musical styles into what can only be described as a mood of high-brow, high-summer, high-happy, Kitsch Utopianism and renders their, already amorphous, genre classification (last journalistic ‘pit-stop’ being ‘neoclassical- minimalist/folk-jazz’) ever more redundant.

Mark Kuykendall is a curator, producer and the owner of Unknown Tone Records ( Under the guise, The New Honey Shade, he works as a musician and filmmaker. For littlebow’s album, Three, Kuykendall created music videos using films curated from his great uncle, Elmer Stoops’, archive of personal vintage footage. Stoops travelled the United States extensively throughout the 1950’s-1970’s, making films on 16mm camera to create trick photography, slow motion, time lapse, and more, which resulted in rarely seen authentic visuals of lost Americana. Stoops and Kuykendall are just a generation apart, but share a familial sensitivity for capturing subtle, mundane, or overlooked beauty. The music of littlebow make a natural pairing with these found moments captured in video. – Saatchi



A film, by Mark Kuykendall of The New Honey Shade, to the piece ‘Some May Transition’ can be found here:

Music video edited by Mark Kuykendall.
Original 16mm footage shot by Elmer Stoops (circa 1950’s)